![]() Midge is venturing into her own renaissance at a time when the Beat Generation is giving way to new interpretations of thought, furnishing a permanent cultural shift delivered firsthand by The Marvelous Mrs. The Gaslight Club, founded by Burton Browne, was private and required. Maisel creator Amy Sherman-Palladino has said Midge was inspired by Joan Rivers, another Greenwich Village comedian who fearlessly cut her teeth at The Gaslight as a strongminded female. (1953 1988 est.) While I never had the pleasure of frequenting the Gaslight Club in Chicago’s River North district, I can appreciate its memory (hence, this page). Bob Dylan, Jimi Hendrix, Joni Mitchell, Bonnie Raitt, and countless other acts developed their signature sounds at the café where entertainers like Woody Allen were also booked to break up the flow of poetry and music. The burgeoning artistic tide at The Gaslight coincides with the evolution of Mrs. Maisel season 3, Midge comes into her own as single woman and a performer who doesn’t hesitate to hold true to her values, like when she refuses to perform during a live radio broadcast endorsing the paleoconservative politician, Phyllis Schlafly in season 3, episode 7 “Marvelous Radio.” The café would later add folk music to its lineup, a trend wryly addressed by Suzie in season 4, episode 3 “Everything is Bellmore.” In Marvelous Mrs. The Gaslight was one of several cafes on MacDougal Street in Greenwich Village where beat poets like Diane di Prima, Allen Ginsberg, and Jack Kerouac read their nontraditional works addressing sex, politics, drugs, and spirituality to audiences. ![]() Women’s rights progressed alongside the booming voices of the Beat Generation. The purview of a woman’s world in the 1950s expanded at the decade’s end.
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